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By Andrew Milner

This and concise advent to cultural thought goals to carry a feeling of old and theoretical scale to cultural reviews in Britain. As a finished and available advisor to the usually difficult manoeuverings of social and cultural conception in recent times, it's going to function a advisor to scholars learning the numerous disciplines now educated via cultural idea. ''Contemporary Cultural Theory'' identifies six replacement paradigms in cultural reports - utilitarianism, culturalism, marxism, structuralism, feminism and postmodernism - and explores the socio-discursive contexts during which each one of those have constructed. Andrew Milner is the writer of ''John Milton and the English Revolution'', and co-editor of ''Postmodern Conditions'' and ''Discourse and Difference''. This booklet is meant for undergraduate classes in cultural reviews, sociology, media and conversation and literary feedback.

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English Literature’s contribution to post-war reconstruction, the 1921 Newbolt Report on the teaching of English, proposed to establish the study of English language and literature at the centre of a national education in national consciousness. 16 Thus it was Cambridge, rather than Oxford, which would witness both the “revolution in English studies”, and the appearance of “Leavisism”, a new literary-critical doctrine which would, in turn, decisively shape the character of the profession of English teaching in the years after the Second World War.

It could be argued that Arnold’s remnant is better understood as a social class in its own right, rather than as an aggregate “number of aliens”,10 and that it should therefore prove at least as capable of directing the state, at least in particular directions, as are the Barbarians, Philistines and Populace. Neither Arnold nor Williams contemplates this prospect. But had either done so, it might well have provided them with an explanation for the transparently, and increasingly, educative rôle of 23 CULTURALISM much of the business of the modern state.

Thompson (1924–1993), Richard Hoggart and Raymond Williams (1921–1988). The first issue of the New Left Review included a discussion between Williams and Hoggart on the theme of working class culture;46 and both Thompson and Williams served on the journal’s editorial board. Something of what would become “left culturalism” had first been explored in Thompson’s William Morris,47 a deeply appreciative study of a writer hitherto marginal to the canonical wisdoms of both left and right. If Thompson here reclaimed Morris for socialism, then he simultaneously discovered in Morris much of the strength of the earlier Romantic critique of utilitarianism.

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