Download A Brief History of Comic Book Movies by Wheeler Winston Dixon PDF

By Wheeler Winston Dixon

A short background of comedian e-book Movies lines the meteoric upward push of the hybrid artwork kind of the comedian e-book movie. those motion pictures hint their origins again to the early Nineteen Forties, while the 1st Batman and Superman serials have been made. The serials, and later tv exhibits within the Nineteen Fifties and 60s, have been for the main half designed for kids. yet at the present time, with the ongoing upward thrust of Comic-Con, they appear to be extra part of the mainstream than ever, beautiful to adults in addition to more youthful enthusiasts. This ebook examines comedian booklet video clips from the previous and current, exploring how those motion pictures formed American tradition from the post-World battle II period to the current day, and the way they tailored to the altering tastes and mores of succeeding generations.

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When Japan opened for trade in 1853, a long-standing popular culture of woodblock-print picture-novels, forged from more than two centuries of isolation, was met with the caricatures in British political cartoon magazines such as Punch and later the social-satire and slapstick of American newspaper comic strips. After World War II, however, the largest influences in shaping modern animé and manga appeared with American occupational forces: cartoons and comic books. Cartoons were part of the “picture shows” format that also included a newsreel and feature, all cultural tools used to demilitarize Japan by promoting Western ideals of individualism and freedom.

A predictable “origins” story, with a dash of variation from the original comic book version, Fantastic Four was a slapdash action-adventure film with a PG-13 rating. Bankrupt scientist Reed Richards (Ioan Gruffudd) seeks financial and personal redemption by harnessing the forces of a cosmic storm, bringing along astronaut buddy Ben Grimm (Michael Chiklis), ex-girlfriend Sue Storm (Jessica Alba), and her pilot brother Johnny Storm (Chris Evans) to industrialist Victor Von Doom’s (Julian McMahon) extra-terrestrial space station.

Stryker, played by Brian Cox, is an amalgam of the like-named mutant-hating evangelist in the graphic novel God Loves, Man Kills by Chris Claremont and the mysterious Professor from Barry Windsor-Smith’s series Weapon X. Stryker’s son Jason blends aspects of long-time X-villain Mastermind with Stryker’s stillborn mutant son and Xavier’s own bad-seed offspring. ”—is visualized in a terrific opening attack-on-theWhite-House scene. However, the conflicting plotlines of over a dozen characters started to wear on the screen, presenting viewers with a confusing myriad of potential spin-offs, sequels, and prequels.

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