By Waller A., Duncan D. B.
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Additional resources for A bayes rule for the symmetric multiple comparisons problem II
The ability to morph between a pair of separately resynthesized tones opens up some of the most interesting possibilities. There's only so many times you can morph Aled Jones into a bassoon before the novelty wears off, but putting the envelope to imaginative uses yields many a sonic delight. The time-stretch envelope is also an invaluable tool in producing interesting, dynamic morphs between a pair of contrasting tones. The envelopes provide up to 16 breakpoints, with variable curvature between them.
The overall sound character and tonality should therefore be exactly the same as if the identical mic were connected to the original preamp. Making a configurable input stage is not simple, and goes against the normal practice of keeping the microphone signal path as short and simple as possible. Focusrite have had to come up with a complicated arrangement of very highquality relays to switch various inductors, capacitors, and resistors into the input circuits, in order to provide the appropriate impedance characteristics.
Critical auditioning in this mode with the compressor and EQ stages bypassed demonstrated the inherently high quality and transparency of the preamp circuitry. It sounded wonderfully neutral and clean to my ears, with plenty of headroom (+16dBu, in fact) and a low, smooth noise floor. US VIPERL(omega) US VIPERM(omega) US VT2 Compressors & Limiters: DK CL1B DK LCA2B FF GREEN 5 Dialling in various alternative preamp Replicas, their sonic signatures were immediately obvious in most cases, particularly when switching to valvebased preamps and those with transformers.